This film featured a performance by Rogers' real mother, Lela, playing her film mother. Lela Rogers was credited with many pivotal contributions to her daughter's early successes in New York City and in Hollywood, and gave her much assistance in contract negotiations with RKO. It was there that she gave birth to her daughter, Virginia, or Ginger for short. # classic film # ginger rogers # bachelor mother # dance # dancing # vintage # twirl # fred astaire # movies # maudit # fred astaire # ginger rogers # mark sandrich # lol # maudit # fred astaire # ginger rogers # shall we dance # movies # kiss # hug # cinema # make out # maudit # top hat # ginger rogers … She was also a member of The Daughters of the American Revolution. Her docking there occasioned the maximum of pomp and ceremony at Southampton. Rogers starred in one of the earliest films co-directed and co-scripted by a woman, Wanda Tuchock's Finishing School (1934). Stage Door (1937) demonstrated her dramatic capacity, as the loquacious yet vulnerable girl next door and tough-minded theatrical hopeful, opposite Katharine Hepburn. After winning the Oscar, Rogers became one of the biggest box-office draws and highest paid actresses of the 1940s.[1]. A successful individual in her own right, Lela worked in film and journalism before dedicating much of her time to helping Ginger make it in the film industry. However, by the end of the decade, her film career had peaked. She was the mother of actress Ginger Rogers. At the time, there were rumors that she was dating the FBI's J. Edgar Hoover.[5][12]. As a teenager, Rogers thought of becoming a school teacher, but with her mother's interest in Hollywood and the theater, her early exposure to the theater increased. All except Ginger. Birthplace: Independence, MO Location of death: Rancho Mirage, CA Cause of death: Heart Failure R. Father: William Eddins McMath (engineer, d. when Ginger was 11) Mother: Lela Emogen Owens Rogers (b. Her acting was well received by critics and audiences in films such as Stage Door (1937), Vivacious Lady (1938), Bachelor Mother (1939), The Major and the Minor (1942) and I'll Be Seeing You (1944). It contains memorabilia, magazines, movie posters, and many items from Ginger's ranch that Lela and Ginger owned. In Roxie Hart (1942), based on the same play which later served as the template for the musical Chicago, Rogers played a wisecracking flapper in a love triangle on trial for the murder of her lover; set in the era of prohibition. When she got to California, she signed a three-picture deal with Pathé Exchange. She devoted a great deal of time in her autobiography to the importance of her faith throughout her career. It closed in August 2019.[25]. Ihren ersten Kontakt zum Showgeschäft hatte sie, als sie bei der Theatertruppe von Entertainer Eddie Foy einen Charleston-Wettbewerb gewann. Ginger dated Mervyn LeRoy in 1932, but they ended the relationship and remained friends until his death in 1987. Everyone knows.". One such composer was Cole Porter with "Night and Day", a song Astaire sang to Rogers with the line "...you are the one" in two of their movies, being particularly poignant in their last pairing of The Barkleys of Broadway. However, her mother then remarried and moved to Fort Worth, Texas, where Ginger Rogers graduated from high school. Her mother, known as Lelee, went to Independence to have Ginger away from her husband. [3]:1, 2, 11After unsuccessfully trying to reunite with his family, McMath kidnapped his daughter twice, and her mother divorced him soon thereafter. Of the 33 partnered dances Rogers performed with Astaire, Croce and Mueller have highlighted the infectious spontaneity of her performances in the comic numbers "I'll Be Hard to Handle" from Roberta, "I'm Putting All My Eggs in One Basket" from Follow the Fleet, and "Pick Yourself Up" from Swing Time. The Gay Divorcee. Her fifth and final husband was director and producer William Marshall. Her first job was at a furniture store in Kansas City when she was 16. Hayworth's maternal uncle, Vinton Hayworth, was married to Rogers' maternal aunt, Jean Owens. Motion Picture Alliance for the Preservation of American Ideals, "Mrs. Liebrand's Life Has Been a Succession of Firsts", "Lela Rogers, 86, Mother of Actress Ginger Rogers, editor, Film Producer", https://en.wikipedia.org/w/index.php?title=Lela_E._Rogers&oldid=1004652790, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, Screenwriter, journalist, producer, film editor, This page was last edited on 3 February 2021, at 18:12. The theater was comprehensively restored in 1997 and posthumously renamed in her honor as the Craterian Ginger Rogers Theater. Rogers had her first successful film roles as a supporting actress in 42nd Street (1933) and Gold Diggers of 1933 (1933). [1][2][3] Her sister Verda Virginia Clendenin (née Owens; formerly Brown Nichols) (1895-1958) was the mother of actress Phyllis Fraser (born Helen Brown Nichols) and her other sister Jean Hayworth (née Owens) (1905-1995) was the wife of Vinton Hayworth and sister-in-law of Rita Hayworth. Ginger Rogers, właśc.Virginia Katherine McMath (ur.16 lipca 1911 w Independence, zm. Rogers was lifelong friends with actresses Lucille Ball and Bette Davis. Rogers and her mother also had an extremely close professional relationship. Rogers' popularity was peaking by the end of the decade. She was born Lela Emogen Owens in Council Bluffs, Iowa. Get premium, high resolution news photos at Getty Images Flashbulbs pop and programs are shoved in front of Miss Rogers to autograph, but she remains unperturbed. She continued to act, making television appearances until 1987 and wrote an autobiography Ginger: My Story which was published in 1991. This led to a contract with Paramount Pictures, which ended after five films. Born on Christmas Day in 1891 to Walter Winfield Owens and Wilma Saphrona Owens (née Ball) in Council Bluffs, Iowa, Lela was the oldest of four daughters. She won an Academy Award for Best Actress for her starring role in Kitty Foyle (1940), but is best remembered for performing during the 1930s in RKO's musical films with Fred Astaire. She had a baby earlier in their marriage and he allowed the doctor to use forceps and the baby died. Bachelor Mother 1939 with Ginger Rogers, David Niven and Charles Coburn. [3]:26–29 Rogers was to remain close to her grandfather and much later, when she was a star in 1939, she bought him a home at 5115 Greenbush Avenue in Sherman Oaks, California, so he could be close to her while she was filming at the studios. She was the mother of actress Ginger Rogers. Together, from 1933 to 1939, they made nine musical films at RKO: Flying Down to Rio (1933), The Gay Divorcee (1934), Roberta (1935), Top Hat (1935), Follow the Fleet (1936), Swing Time (1936), Shall We Dance (1937), Carefree (1938), and The Story of Vernon and Irene Castle (1939). In 1952 Rogers starred in two comedies featuring Marilyn Monroe, Monkey Business with Cary Grant, directed by Howard Hawks, and We're Not Married!. Ginger took the surname Rogers, although she was never legally adopted. She also won an Oscar for playing the title role in Kitty Foyle (1940) and later starred in Roxie Hart (1942). [citation needed]. Ginger Rogers was born Virginia Katherine McMath in Independence, Missouri on July 16, 1911. The fitness guru and radio personality had claimed that Rogers was on her radio show when, in fact, she was not. [5][1] At this time, she served as secretary to Col. Albert S. McLemore. Bachelor Mother (1939): Ginger Rogers, David Niven, Charles Coburn, Frank Albertson, E.E. Lela Rogers, the mother of movie legend Ginger Rogers, was notable and accomplished in her own right. After becoming a free agent, Rogers made hugely successful films with other studios in the mid-'40s, including Tender Comrade (1943), Lady in the Dark (1944), and Week-End at the Waldorf (1945), and became the highest-paid performer in Hollywood. She appeared with Ball in an episode of Here's Lucy on November 22, 1971, in which Rogers danced the Charleston for the first time in many years. During the late 1930s and early 1940s, she worked as an assistant to Charles Koerner, RKO's vice president of production, and was put in charge of the studio's new talent. Arlene Croce, Hermes Pan, Hannah Hyam, and John Mueller all consider Rogers to have been Astaire's finest dance partner, principally because of her ability to combine dancing skills, natural beauty, and exceptional abilities as a dramatic actress and comedian, thus truly complementing Astaire, a peerless dancer. The house at 100 W Moore street where Lela gave birth to Ginger Rogers was restored by Gene and Marge Padgitt in 2018 and opened for two years as a museum. The production ran for 14 months and featured a royal command performance for Queen Elizabeth II. She'd eventually become a theater reporter for The Fort Worth Record in Fort Worth, Texas, where Ginger was first raised. Rogers fought hard for her contract and salary rights and for better films and scripts. [13] They formed a short-lived vaudeville double act known as "Ginger and Pepper". She was also paid less than many of the supporting "farceurs" billed beneath her, in spite of her much more central role in the films' great financial successes. [5], After obtaining a divorce when Ginger was 3,[4] Lela eventually moved to Hollywood, and by 1916, she was writing scripts under the name Lela Liebrand. Rogers soon got herself out of the Paramount contract—under which she had made five feature films at Astoria Studios in Astoria, Queens—and moved with her mother to Hollywood. From the 1950s onward, Rogers made occasional appearances on television, even substituting for a vacationing Hal March on The $64,000 Question. Ginger Rogers, pseudonimo di Virginia Katherine McMath (Independence, 16 luglio 1911 – Rancho Mirage, 25 aprile 1995), è stata un'attrice, cantante e ballerina statunitense.. È principalmente conosciuta per aver recitato in diversi musical prodotti negli anni trenta dalla RKO Pictures, insieme a Fred Astaire.Apparve anche in televisione e in radio, attraversando buona parte del XX secolo. Ginger Rogers wurde durch ihre alleinerziehende Mutter Lela, eine wenig erfolgreiche Drehbuchautorin, schon früh auf eine Karriere als Tänzerin vorbereitet. Her grandparents, Walter and Saphrona Owens, lived close to them. Virginia Katherine McMath was born on July 16, 1911, in Independence, Missouri, the only child of Lela Emogene (née Owens; 1891–1977), a newspaper reporter, scriptwriter, and movie producer, and William Eddins McMath (1880–1925), an electrical engineer. Rogers spent winters in Rancho Mirage and summers in Medford, Oregon. She became known as Ginger after her young cousin, Helen, couldn’t pronounce Virginia and shortened it to Ginger. Roger's parents separated before she was born. This mystery novel for young readers was actually written by Ginger’s mother Lela Rogers. Her father kidnapped her twice, then she never saw him again. When Rogers was nine years old, her mother married John Logan Rogers. In 1943, Rogers married her third husband, Jack Briggs, who was a U.S. Marine. Born in Independence, Missouri, and raised in Kansas City, Rogers and her family moved to Fort Worth, Texas when she was nine years old. Lela E. Rogers (née Lela Emogene Owens; 1891–1977), sometimes known as Lela Liebrand, was an American journalist, film producer, film editor, and screenwriter. [4], She served as her daughter's manager, and acquired a reputation as a stage mom. She then made a significant breakthrough as Anytime Annie in the Warner Bros. film 42nd Street (1933). [9][10] In 1926 the act performed at an 18-month-old theater called The Craterian in Medford, Oregon. Virginia Katherine McMath, who became known as Ginger Rogers, was born in Independence, Missouri on July 16, 1911. Astaire and Pan presented Rogers with a gold feather for her charm bracelet afterwards by way of making up. You know, the most effective partner I ever had. In 1930, Paramount Pictures signed her to a seven-year contract. Ginger Rogers at 92 years old, dancing with her 29 year old great-grandson. Rogers is associated with the phrase "backwards and in high heels", which is attributed to Bob Thaves' Frank and Ernest 1982 cartoon with the caption "Sure he [Astaire] was great, but don't forget that Ginger Rogers did everything he did...backwards and in high heels". In the neorealist Primrose Path (1940), directed by Gregory La Cava, she played a prostitute's daughter trying to avoid family pressure into following the fate of her mother. Ginger Rogers was born Virginia Katherine McMath in Independence, Missouri on July 16, 1911. The marriage was over within a year, and she went back to touring with her mother. They married in 1961 and divorced in 1969, after his bouts with alcohol and the financial collapse of their joint film production company in Jamaica. In her classic 1930s musicals with Astaire, Ginger Rogers, co-billed with him, was paid less than Fred, the creative force behind the dances, who also received 10% of the profits. Fred Astaire was hired to help the dancers with their choreography. Rogers' first movie roles were in a trio of short films made in 1929—Night in the Dormitory, A Day of a Man of Affairs, and Campus Sweethearts. Her career continued on stage, radio and television throughout much of the 20th century. Although he never officially adopted Ginger, she thought of him as a father and … Due to the Covid pandemic, the museum was closed and the house was sold. She had a baby earlier in their marriage and he allowed the doctor to use forceps and the baby died. Ginger Rogers probably wouldn’t have been such a huge star without the love and support she got from her mother Lela. Astaire answered, "...Ginger. She has obviously had experience. After graduating from high school, she moved to New York City, New York, and got a job in the Broadway production of "Top Speed" (1929). In 1992, Rogers was recognized at the Kennedy Center Honors. She enjoyed considerable success during the early 1940s, and was RKO's hottest property during this period. Her mother Lela Emogene was a scriptwriter, newspaper reporter, and film producer. Her mother became a theater critic for a local newspaper, the Fort Worth Record. She went on to make a series of films at Warner Bros. most notably in Gold Diggers of 1933 where her solo, "We're In The Money", included a verse in Pig Latin. She attended grade school in Kansas City, Missouri, where her family finally settled down, and then went to business school to become a stenographer. So they always cried. Waiting for her mother in the wings of the Majestic Theatre, she began to sing and dance along with the performers on stage. Ginger Rogers was a prolific Oscar-winning actress, singer and dancer who was revered for her cinematic footwork with Fred Astaire. [15], Author Dick Richards, in his book Ginger: Salute to a Star, quoted Astaire saying to Raymond Rohauer, curator at the New York Gallery of Modern Art, "Ginger was brilliantly effective. [19], For her contributions to the motion picture industry, Rogers has a star on the Hollywood Walk of Fame at 6772 Hollywood Boulevard.[20]. [5][10] Ball would later credit Lela for making her into the actress she became. The Padgitt's are in the process of creating a virtual museum. Synopsis Born on July 16, 1911, in Independence, Missouri, Ginger Rogers got her start on the vaudeville circuit before working on Broadway. Later on, her mother remarried to John Logan Rogers, whose last name Ginger adopted in her screen name, and moved to Fort Worth, Texas – meanwhile, one of her cousins gave her the nickname Ginger that stuck. She attended, but did not graduate from, Fort Worth's Central High School (later renamed Green B. Trimble Technical High School). Dec 21, 2014 - "Where did it come from?" Rogers remained at the 4-Rs (Rogers' Rogue River Ranch) until 1990, when she sold the property and moved to nearby Medford, Oregon. In 1934, she married actor Lew Ayres (1908–96). [11], In 1947, Lela—a founding member of the Motion Picture Alliance for the Preservation of American Ideals and a devout Christian Scientist—testified before the House Un-American Activities Committee. Find Bachelor Mother [DVD] by Ginger Rogers at Amazon.com Movies & TV, home of thousands of titles on DVD and Blu-ray. On March 29, 1929, Rogers married for the first time at age 17 to her dancing partner Jack Pepper (real name Edward Jackson Culpepper). Anschließend trat die 14-jährige Rogers als Tänzerin in Vaudeville-Shows auf. And that sentiment came true when the extremely controlling and manipulative Lela Leibrand took it upon herself … They divorced seven years later. Ginger Rogers, American dancer and actress who was best known as the partner of Fred Astaire in a series of movie musicals, including The Gay Divorcee (1934) and Top Hat (1935). Rogers didn’t come from a long, storied line like the Hepburns, but that made her bond with Lela Rogers all the stronger. Rogers, an only child, maintained a close relationship with her mother, Lela Rogers, throughout her life. Two of her pictures at Pathé were Suicide Fleet (1931) and Carnival Boat (1932) in which she played opposite future Hopalong Cassidy star, William Boyd. She starred in the successful comedy Monkey Business (1952) and was critically lauded for her performance in Tight Spot (1955) before entering an unsuccessful period of filmmaking in the mid-1950s, and returned to Broadway in 1965, playing the lead role in Hello, Dolly! The lead sentence of the story read: “Imagine any man remarking to the nimble-footed Ginger Rogers: ‘Get out and go on home to your mother!’ Subscribers Are Reading California In 1953, she married Jacques Bergerac, a French actor 16 years her junior, whom she met on a trip to Paris. She also traveled to Kansas to write, direct, and produce a tourism film while working for Pathé. In the 1930s, Rogers' nine films with Fred Astaire are credited with revolutionizing the genre and gave RKO Pictures some of its biggest successes, most notably The Gay Divorcee (1934), Top Hat (1935) and Swing Time (1936). She made everything work for her. In 1920, Rogers’ mother married John Rogers, a wounded WWI veteran. [14], John Mueller summed up Rogers' abilities as: "Rogers was outstanding among Astaire's partners, not because she was superior to others as a dancer, but, because, as a skilled, intuitive actress, she was cagey enough to realize that acting did not stop when dancing began...the reason so many women have fantasized about dancing with Fred Astaire is that Ginger Rogers conveyed the impression that dancing with him is the most thrilling experience imaginable". In 1969, she had the lead role in another long-running popular production, Mame, from the book by Jerome Lawrence and Robert Edwin Lee, with music and lyrics by Jerry Herman, at the Theatre Royal Drury Lane in the West End of London, arriving for the role on the liner Queen Elizabeth 2 from New York City. On July 16, 1994, Ginger and her secretary, Roberta Olden, visited Independence, Missouri to appear at the Ginger Rogers' Day celebration presented by the city. On one occasion, Ginger Rogers confessed: "My mother told me that danced before birth, I could feel my fingers touching wildly inside her for months." See more ideas about ginger rogers, bachelor, mother. Both before and immediately after her dancing and acting partnership with Fred Astaire ended, Rogers starred in a number of successful nonmusical films. Ginger Rogers was born Virginia Katherine McMath in Independence, Missouri on July 16, 1911. But after two commercial failures with Astaire, she branched out into dramatic and comedy films. [3]:19 Lela succeeded and continued to write scripts for Fox Studios. A Republican and a devout Christian Scientist, Rogers married and divorced five times, having no children. In 1909, she married William Eddins McMath,[4] an electrical engineer, and in 1911, the couple moved to Independence, Missouri, where she worked as a newspaper reporter. They divorced in 1949. At this time, she wrote stories for child actress Baby Marie Osborne, among other credits. [3]:15, In 1915, Rogers moved in with her grandparents, who lived in nearby Kansas City, while her mother made a trip to Hollywood in an effort to get an essay she had written made into a film. In 1934, Rogers sued Sylvia of Hollywood for $100K for defamation. Her parents were Walter Owens, a carpenter, and Saphrona Ball, a widow who worked as a grocery store clerk. [9][2] In 1942, she played the mother of Ginger's character in Billy Wilder's comedy The Major and the Minor. Ginger Rogers (born Virginia Katherine McMath; July 16, 1911 – April 25, 1995) was an American actress, dancer, and singer during the "Golden Age" of Hollywood and is often considered an American icon. Her mother, known as Lelee, went to Independence to have Ginger away from her husband. [11] When the M.G.M film The Barrier premiered in San Bernardino, California in February 1926, Rogers’ vaudeville act was featured. She had a baby earlier in their marriage and he allowed the doctor to use forceps and the baby died. She was the one. [1][26][27] She was cremated and her ashes interred with her mother Lela Emogene in Oakwood Memorial Park Cemetery in Chatsworth, California. She reunited with Astaire in 1949 in the commercially successful The Barkleys of Broadway. [3]:7, 15[7] Rogers said that she never saw her natural father again. She was raised a Christian Scientist and remained a lifelong adherent. [3]:11 Her parents separated shortly after she was born. Within two weeks of opening in Top Speed, Rogers was chosen to star on Broadway in Girl Crazy by George Gershwin and Ira Gershwin. [1][6], During World War I, she was one of the first women to enlist in the Marine Corps, where she handled publicity. Appearing in school theatrical productions, she discovered her love of acting. More Broadway roles followed, along with her stage directorial debut in 1985 of an off-Broadway production of Babes in Arms. Although the dance routines were choreographed by Astaire and his collaborator Hermes Pan, both have testified to her consummate professionalism, even during periods of intense strain, as she tried to juggle her many other contractual film commitments with the punishing rehearsal schedules of Astaire, who made at most two films in any one year. Lela, a newspaper reporter, scriptwriter, and movie producer, was also one of the first women to enlist in the Marine Corps, was a founder of the successful "Hollywood Playhouse" for aspiring actors and actresses on the RKO set, and a founder of the Motion Picture Alliance for the Preservation of American Ideals. For a time, she ran her own acting school on the RKO lot, where she taught pupils like Betty Grable and Lucille Ball. She signed over 2,000 autographs at this event. She became the highest-paid performer in the history of the West End up to that time. It was produced by Michael Lipton and Robert Kennedy of Kennedy Lipton Productions. This theater honored her years later by changing its name to the Craterian Ginger Rogers Theater. Next came The Story of Vernon and Irene Castle, based on a true story, but the serious plot and tragic ending resulted in the worst box-office receipts of any of their films. Ginger Rogers made her last public appearance on 18 March 1995, when she received the Women's International Center (WIC) Living Legacy Award. Her appearance in Girl Crazy made her an overnight star at the age of 19. In 1941 Rogers won the Academy Award for Best Actress for her role in 1940's Kitty Foyle. Rogers also made feature films for Warner Bros., Monogram, and Fox in 1932, and was named one of 15 WAMPAS Baby Stars. In 1985, Rogers fulfilled a long-standing wish to direct when she directed the musical Babes in Arms off-Broadway in Tarrytown, New York, at 74 years old. They divorced in 1931, having separated soon after the wedding. AKA Virginia Katherine McMath. Back with her mother, Ginger was never to see her father again and her parents divorced soon afterwards. Portrait of dancer Ginger Rogers and her mother, circa 1940. Successful comedies included Vivacious Lady (1938) with James Stewart, Fifth Avenue Girl (1939), where she played an out-of-work girl sucked into the lives of a wealthy family, and Bachelor Mother (1939), with David Niven, in which she played a shop girl who is falsely thought to have abandoned her baby. Lela E. Rogers (née Lela Emogene Owens; 1891–1977), sometimes known as Lela Liebrand, was an American journalist, film producer, film editor, and screenwriter. [16], On March 5, 1939, Rogers starred in "Single Party Going East", an episode of Silver Theater on CBS radio.[17]. After winning a 1925 Charleston dance contest[1] that launched a successful vaudeville career, she gained recognition as a Broadway actress for her stage debut in Girl Crazy. After 15 months apart and with RKO facing bankruptcy, the studio paired Fred and Ginger for another movie titled Carefree, but it lost money. This was one of her last public appearances. The Kennedy Center honored Ginger Rogers in December 1992. During her long career, Rogers made 73 films and she ranks number 14 on the AFI's 100 Years...100 Stars list of female stars of classic American cinema. This phrase is erroneously attributed to Ann Richards, who used it in her keynote address to the 1988 Democratic National Convention.[2]. In 1986, shortly before his death, Astaire remarked, "All the girls I ever danced with thought they couldn't do it, but of course they could. One of Rogers' young cousins, Helen, had a hard time pronouncing "Virginia", shortening it to "Badinda"; the nickname soon became "Ginga". It is also noted in her autobiography Ginger, My Story. She then moved to RKO Studios, was put under contract and started work on "Flying Down To Rio", a picture starring Dolores Del Rio and Gene Raymond but it was soon stolen by Rogers and Broadway star Fred Astaire. Rogers won, and as soon as the team saw the rushes, everyone agreed it was the right decision. [21] Rogers was a lifelong member of the Republican Party, who campaigned for Thomas Dewey in the 1944 presidential election[22] and was a strong opponent of Franklin Delano Roosevelt speaking out against both him and his New Deal proposals. She eventually became the only female editor of Marine newspaper, Leatherneck. They revolutionized the Hollywood musical by introducing dance routines of unprecedented elegance and virtuosity with sweeping long shots set to songs specially composed for them by the greatest popular song composers of the day. She followed those with a role in Dreamboat alongside Clifton Webb, as his wife. After a series of unremarkable films, she scored a great popular success on Broadway in 1965, playing Dolly Levi in the long-running Hello, Dolly![18].
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